Showing posts with label Lou Reed. Show all posts
Showing posts with label Lou Reed. Show all posts

Wednesday, August 24, 2011

SONGS FOR DRELLA





SONGS FOR DRELLA - A Fiction is a brief musical look at the life of Andy Warhol and is entirely fictitious. We start with Andy growing up in a "Smalltown" - "There's no Michelangelo coming from Pittsburgh." He comes to New York and follows the customs of "Open House" both in his apartment and the Factory. "It's a Czechoslovakian custom my mother passed on to me/the way to make friends Andy is to invite them up for tea." He travels around the world and is in his words "Forever Changed." He knows the importance of people and money in the art world ["Style is all it takes"] and follows his primary ethic, "Work - the most important thing is work." He can copy the classicists but feels "the trouble with the classicists, they look at a tree/that's all they see/ they paint a tree ..." Andy wished we all had the same name "Faces and Names." He becomes involved with movies - "Starlight." He is interested in repetitive "Images" - "I love images worth repeating ... see them with a different feeling." The mortality rate at the Factory is rather high and some blame Andy - "It wasnot me who shamed you ..." The open house policy leads him to being shot ["I Believe"]. He had been warned but a new, locked door approach at the Factory caused him to wonder "... if I have to live in fear/where will I get my ideas ... slowly Slip Away?5 One night he has 'A Dream,' his relationships change ... "A Nobody Like You." He dies recovering from a gall bladder operation. Chocolates were his weakness. We miss him very much. "Hello, It's Me."

- Lou Reed



SONGS FOR DRELLA is a collaboration, the second Lou and I have completed since 1965. I must therefore say that although I think he did most of the work, he has allowed me to keep a position of dignity in the process. It therefore remains, as intended, a tribute to someone whose inspiration and generosity offered over the years is now remembered with much love and admiration.

- John Cale







SONGS FOR DRELLA - A Fiction 1990

Originally co-commissioned by The Brooklyn Academy Of Music and The Arts At St. Ann's.



1. Small Town

2. Open House

3. Style It Takes

4. Work

5. Trouble With Classicists

6. Starlight

7. Faces And Names

8. Images

9. Slip Away (A Warning)

10. It Wasn't Me

11. I Believe

12. Nobody But You

13. A Dream

14. Forever Changed

15. Hello It's Me







HELLO IT'S ME



Andy it's me, haven't seen you in a while

I wished I talked to you more when you were alive

I thought you were self-assured when you acted shy

Hello it's me

I really miss you, I really miss your mind

I haven't heard ideas like that in such a long, long time

I loved to watch you draw and watch you paint

But when I saw you last I turned away



When Billy Name was sick and locked up in his room

You asked me for some speed, I though it was for you

I'm sorry that I doubted your good heart

Things always seem to end before they start



Hello it's me, that was a great gallery show

Your cow wallpaper and your floating silver pillows

I wish I paid more attention when they laughed at you

Hello it's me



"Pop goes pop artist," the headline said

"Is shooting a put-on, is Warhol really dead?"

You get less time for stealing a car

I remember thinking as I heard my own record in a bar



They really hated you, now all that's changed

But I have some resentments that can never be unmade

You hit me where it hurt I didn't laugh

Your Diaries are not a worthy epitaph

Oh well now Andy - guess we've got to go

I hope some way somehow you like this little show

I know it's late in coming but it's the only way I know

Hello it's me - goodnight Andy...

Goodbye, Andy

Tuesday, July 19, 2011

Blue In The Face

A selection of some of the finest moment in this irregular, yet highly interesting film. some of these moments are among the most brilliant things i´ve ever seen.


By http://www.youtube.com/user/malvalm

Monday, July 18, 2011

Lou Reed - NYC Man



It can only lead to trouble if you break my heart
If you accidentally crush it on the Ides of March
I'd prefer you were straight forward
You don't have to go through all of that
I'm a New York City man, baby, and say "go" and that is that
New York City man,
You just say "go" and that is that
I'm a New York City man,
You just say "go" and that is that
It's far too complicated to make up a lie
That you'd have to remember and, really, why?
I wouldn't want to be around you
If you didn't want to have me around
I'm a m-a-n-n man, you blink your eyes and I'll be gone
M-a-n-n man, you blink your eyes, honey, and I'll be gone
New York City man,
You blink your eyes and I'll be gone
Brutus made a pretty speech, but Caesar was betrayed
Lady Macbeth went crazy, but Macbeth ended slain
Ophelia and Desdemona dead, leaving Hamlet in a play
But I'm no Lear with a blinded eye, say "go" and I am gone
The stars have shut their eyes up tight
The earth has changed its course
A kingdom sits on a black knight's back
As he tries to mount a white-jeweled horse
While a clock full of butterflies on the hour
Releases a thousand moths
You say "leave" and I'll be gone
Without any remorse
No letters, faxes, phones, or tears
There's a difference between bad and worse
I'm a New York City man,
Blink your eyes and I'll be gone
New York City man, m-a-n,
You blink your eyes and I'll be gone
New York City, I love you,
New York City man
New York City, how I love you,
Blink your eyes and I'll be gone
(Just a little grain of sand)
New York City,
Ooohhh, how I love you
New York City, baby,
Blink your eyes and I'll be gone
Oh, how I love you

Friday, July 1, 2011

The Velvet Underground - Sister Ray

"Sister Ray" is a song by The Velvet Underground that closes side two of their 1968 avant-garde rock album White Light/White Heat. The song's lyrics were written by Lou Reed, with music composed by John Cale, Sterling Morrison, Maureen Tucker and Reed.

"Sister Ray" was a concert favorite of the band, who regularly closed their set with the song. The studio recording of the song was recorded in one single take that lasts over seventeen minutes, while live versions were known to last as much as half an hour or more. The triple live album Bootleg Series Volume 1: The Quine Tapes, released in 2001, features three live performances of "Sister Ray" from 1969, with approximate running times of 24, 38 and 29 minutes.